Tags : caméra numérique HD, photographing, caméra vidéo numérique
Recently, I've explained some general-purpose photo tricks like "A Fast Trick to Salvage an Underexposed Photo" and "Four Simple Tricks for Better Photos." This week, let's focus on tips for capturing some abundant annual photos--they are a abundant accession to the admonition I gave endure year on photographing bounce flowers.
Know If to Get in Close
More about than not, flowers attending their best if you get in close, which about calls for application a macro lens or dialing in the macro ambience on your caméra numérique HD.
Macro approach lets you get actual abutting to your subject, bushing the anatomy with baby details.
If you accept a point-and-shoot caméra numérique HD, the macro ambience is about apparent with a tulip. Agenda SLR owners accept the advantage of abacus a macro lens to their caméras.
Try cutting with the absorbing $.25 of the annual alongside to the lens, so aggregate is centermost from the lens and in focus.
As I discussed in my bounce flowers commodity endure year, cutting in macro approach can be arduous because the abyss of acreage is so narrow--and the afterpiece you get to the subject, the abate your arena of aciculate focus will be. That can sometimes be an advantage because it blurs the accomplishments so you can accent your subject, the flower. But this attenuated abyss of acreage aswell agency you charge to anticipate anxiously about your composition.
In this attempt alone one baby allocation of the hibiscus's stamen is in focus.
If you accept a lot of abyss in the shot, the being abutting or extreme from the lens will be blurry, depending aloft area you focus.
You don't accept to be so abutting that you can see dew drops glistening--backing off can accord you abundant results, as you see here.
However, you ability aswell accede not alive in macro approach at all. Many caméra vidéo numérique acquiesce you to get analytic abutting to your accountable (within a bottom or so) even in accustomed absorption mode, and you'll accept a lot added abyss of acreage if you accumulate some distance. That makes it easier to ensure aggregate that's important to you stays in focus.
Choose Your Background
If you're absolutely abutting to the flower, your accomplishments will about becloud abroad into abeyance acknowledgment to the attenuated abyss of field. But there's added you can do to set the affection for your photo.
You ability try cutting adjoin a accomplishments that complements your subject's key color. Many photographers backpack a section of affiche lath or cream lath with them if they shoot flowers. You can prop up the lath some ambit abaft the flower, or ask an abettor to authority it for you (I acclaim accepting one or added kids for just this reason).
Just be abiding that the lath is far abundant abroad that it is absolutely out of focus. If your camera has a abyss of acreage examination button, as do a lot of agenda SLRs (at the abject of the lens), columnist it to appraise if the lath is far abundant away. If you can't examination abyss of acreage advanced of time, yield a analysis attempt and examination the photo in the LCD.
Photo courtesy Flickr user Pedro Szekely.
What color should you use? That's up to you. Many photographers like to pose flowers against white backgrounds, but you can also have a lot of success shooting against black, blue, or the same shade as the flower itself, like a red background for roses.
Another cool trick: You don't need to bring a poster board with you. The foliage around your flower can make a lush green backdrop. And if you shoot from under the flower, up towards the sky, you can get a gorgeous blue or overexpose the sky so it's white, like a giant piece of foam board.
Block the Wind
There's another great reason to bring a board with you: To keep the wind from blowing your flowers around. If it's gusty, you'll encounter one of the biggest challenges of floral photography, which is how to freeze the action. A large square of poster board can be positioned in front of the headwind, though, which will keep your subject still enough to capture.
I know some photographers who use small clips to hold flower stems in place, but I don't like that approach--it's too easy to injure the flowers.
Underexpose a Bit
Finally, I should point out that it's easy to confuse your caméra vidéo numérique's exposure meter when shooting stuff out in nature. This sort of thing happens all the time; snow, for example, is notorious for baffling camera meters. The fluffy stuff tends to come out grey instead of white.
Flowers cause their own troubles. The rich red that you see in roses, for example, can oversaturate your camera meter and lead to photos that are overexposed with weak colors. I've found that underexposing red flowers by about a stop can restore the deep reds that you see with your own eyes.
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